{"id":26881,"date":"2025-02-12T17:47:29","date_gmt":"2025-02-12T16:47:29","guid":{"rendered":"https:\/\/inter-antiquariaat.nl\/en\/antiek\/niet-gecategoriseerd\/tulp-le-dagon-pierre-joseph-redoute-1824\/"},"modified":"2025-03-11T16:08:29","modified_gmt":"2025-03-11T15:08:29","slug":"tulp-le-dagon-pierre-joseph-redoute-1824","status":"publish","type":"product","link":"https:\/\/inter-antiquariaat.nl\/en\/antiques\/miscellaneous\/botanical-prints-and-drawings\/tulp-le-dagon-pierre-joseph-redoute-1824\/","title":{"rendered":"Tulip – Pierre-Joseph Redout\u00e9, 1824"},"content":{"rendered":"

“DRAGON TULIP”<\/strong><\/p>\n

“Tulipa Gesneriana. Var. Dracontia<\/em><\/strong>\u201d, stipple engraving made by Langlois<\/strong> after a design by Pierre-Joseph Redout\u00e9<\/strong>, printed in colour and published in Paris by Imprimerie de Remond around 1824<\/strong> as part of the “Album de Redout\u00e9<\/em>“. Size (paper): 52.5 x 35.5 cm.<\/p>\n

Pierre-Joseph Redout\u00e9 (1759\u20131840) came from a family of painters in the Ardennes. In 1782, he moved to Paris, where he initially designed stage sets for the Th\u00e9\u00e2tre Italien. In his free time, he sketched plants. He came into contact with the Dutch professor Gerard van Spaendonck<\/a> (1746\u20131822), who was affiliated with the Jardin du Roi, and became his assistant and student.<\/p>\n

Redout\u00e9\u2019s talent soon flourished, and he was appointed court painter for Marie Antoinette<\/a> and later for Jos\u00e9phine de Beauharnais<\/a> (Napoleon\u2019s first wife), who was famous for her gardens surrounding Ch\u00e2teau de Malmaison<\/a>. Redout\u00e9 became artist-in-residence at Malmaison, where he produced “Les Liliac\u00e9es<\/em>“, his most extensive work, consisting of 486 colour engravings in eight volumes. He also created “Les Roses<\/em>“, another remarkable and important book featuring 170 plates and descriptions of roses.<\/p>\n

After Jos\u00e9phine\u2019s death, Redout\u00e9 faced financial difficulties. In 1822, he became a drawing instructor at the Mus\u00e9e d’Histoire Naturelle, but after the Revolution of 1830, he was reinstated as Peintre du Cabinet de la Reine<\/em> under Queen Marie-Am\u00e9lie. His last major works, “Choix des plus belles fleurs<\/em>” and “Choix de soixante roses d\u00e9di\u00e9es \u00e0 la reine des Belges<\/em>“, completed his impressive oeuvre.<\/p>\n

During his lifetime, Redout\u00e9 was largely unaffected by the political upheaval of the era. Revolutions, restorations, and changing rulers all supported the work of this extraordinary botanical artist.<\/p>\n

Redout\u00e9\u2019s fame is primarily due to his dedication to perfecting the stipple engraving technique. This labour-intensive and therefore costly process created subtle and exquisite colour nuances. Each plate was produced using the \u00e0 la poup\u00e9e<\/em><\/a> technique, in which multiple colours were applied to a plate before printing. After printing, each impression was meticulously hand-finished.<\/p>\n

The “Album de Redout\u00e9<\/em>” included a selection of Redout\u00e9\u2019s most celebrated works from “Les Roses<\/em>“, “Les Liliac\u00e9es<\/em>“, and “Jardin de la Malmaison<\/em>.”<\/p>\n

Price: Euro 1.750,-<\/p>\n","protected":false},"excerpt":{"rendered":"

“DRAGON TULIP” “Tulipa Gesneriana. Var. Dracontia\u201d, stipple engraving made by Langlois after a design by Pierre-Joseph Redout\u00e9, printed in colour and published in Paris by Imprimerie de Remond around 1824 as part of the “Album de Redout\u00e9“. Size (paper): 52.5 x 35.5 cm. Pierre-Joseph Redout\u00e9 (1759\u20131840) came from a family of painters in the Ardennes. 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